Born in Brussels in 1992, Noé studied architecture and environmental design at La Cambre and completed a master’s degree in 2016. She began painting seriously during the global health crisis, recognizing its connection to the ecological crisis. Between 2021 and 2022, she decided to dedicate herself fully to painting.

Her work suggests movement, with rocks appearing to shift, flow, or stiffen, reflecting the urgency of environmental collapse. Visually striking and emotionally layered, her paintings move between chaos and calm. Masks, both literal and symbolic, appear often as representations of hidden truths and social hypocrisy. Abstract forms and veiled landscapes such as solar, lunar, terrestrial, and marine scenes portray a world where language, like nature, erodes under the pressure of ecological breakdown.