Her work consists of metal wire such as silver, aluminium, iron, brass, copper and alpaca wire. She rolls, hammers, crochets and wraps this material in such a way as to create transparent volumes. The sky is framed so that space becomes visible. This takes on meaning; it can be an opening, a pause or a place to linger.

Concepts of space and borders play an important role in her work: without framing, space remains unreal. Permeable boundaries make space ambiguous.  For what exactly does a boundary matter? What is actually separated from each other? And by what conditions does a border transform into connection, dialogue, contact? I call the space defined by demarcation: ‘between space’ or ‘promising emptiness’. The space is promising because its meaning is not filled in, but rather stimulates the imagination.