H 71.0 x W 51.0 x D 3.0 cm

This artwork captures movement and the attempt to hold it still. The flowing forms suggest something alive and constantly moving, while the process of fixing them in place creates a contrast between movement and stillness. The use of rust reinforces this idea, as something that naturally develops and changes over time is also captured and preserved. The work explores the tension between continuous movement and the desire to hold onto a single moment.

H 100.0 x W 20.5 x D 2.0 cm

This two-part artwork captures falling leaves. Through a combination of grinding techniques and layered three-dimensional metal elements, the leaves emerge from the surface of the work, creating depth while they are drifting beyond the frame itself. Formed entirely in metal, the textured grinding patterns give each leaf a dynamic and organic character. The heat created during the grinding process produces natural bronze and blue tones across the surface, reflecting the wide variety of colours found in changing leaves.

H 52.0 x W 24.0 x D 0.5 cm

Dual Echo is a steel artwork shaped with an angle grinder, in which raw material is transformed into delicate forms. The piece explores the contrast between strength and softness, carving movement from solid steel. Set against a deep black background, the polished surfaces create a subtle dialogue between shadow and reflection.

H 60.0 x W 40.0 x D 3.0 cm

Within the Tide presents a steel surface marked by repeated grinding patterns that reference the movement of water. Two swimmers are integrated into the composition, creating a contrast between the solid, industrial material and the suggestion of fluid movement. The work explores the tension between structure and flow through rhythm and repetition.

H 51.0 x W 78.0 x D 3.3 cm

Serpentine explores the tension between organic growth and industrial processes. The steel is welded from the back side of the material. Therefore, rather than building the image directly onto the surface, the work emerges indirectly. This process creates almost cellular forms that appear to spread across the steel like living structures.

The title refers both to the serpentine, winding lines within the composition and to the unpredictable nature of the material itself. Although formed through industrial techniques, the work evokes organic transformations. The surface captures a moment within that transformation, where movement and material tension are held still.